Andrew Brumbach, The Eye of Midnight, and getting “the call”

The best books start here.

Category: On Writing

I recently had the pleasure of being interviewed by Upstart Crow client Andrew Brumbach over at the Literary Rambles blog, where we discussed the release of his debut novel, THE EYE OF MIDNIGHT the harrowing submissions process, and the joy of getting “the call”. Pop over the blog for the full interview, and do be sure to put THE EYE OF MIDNIGHT on your “to read” list today!

The Eye of Midnight


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There have been some great posts this week about the diverse books movement. Jacqueline Woodson’s 1998 article in the Horn Book, titled Who Can Tell My Story has been revived. Ellen Oh’s salient post Dear White Writer takes on diverse books and white privilege. There are numerous other articles and posts I could point you to; the discussion about diverse books is wide, intense, difficult, eye-opening, enraging, encouraging, and exciting.

In the last year, as the conversation about diverse books has picked up steam, a noticeable shift has taken place in my query box. It’s a shift that happens each time the trends change in publishing. Paranormal gave way to dystopian, which gave way to horror, which gave way to contemporary, which has recently given way to…diverse books?

The We Need Diverse Books campaign … [more]

I read a lot of queries this week–about one hundred. I sent a lot of rejections this week–about ninety-something (I requested four manuscripts).

Getting rejections is never easy (remember: I get them, too!). Sending rejections isn’t easy, either. But when I pass on your project and tell you to keep writing, I mean it. The passage below explains why. So even if you think I’m a jerk with no taste for passing on your project, you should listen to Ira Glass, because he’s a really smart guy.

Keep writing.


Looking for a little light reading/book chat/way to procrastinate whatever tasks are on your to-do list today? Head on over to the excellent Mother.Write. (Repeat.) blog, where I’ll be answering reader questions about all things books until 5pm. today.… [more]

I’m currently in the process of finishing up intensive manuscript revisions with several of my clients. And since I’m a total geek, I think it’s a whole lotta fun. But I’m not so sure my clients agree with me, at least not at this particular moment in time.yes

Giving editorial advice and doing revisions with clients is a large part of my job, and I take it quite seriously. That’s why, even when I sign clients whose manuscripts are in fine shape, I have them do at least one round of revision before I submit their project to publishers.

Why am I so keen on revision? Is it because I enjoy being a slave driver? Because I’m addicted to the pretty colors that pop up on the screenwhen I use track changes? No and no. … [more]

sand_drawingIf you have never participated in the Twitter feed #kidlitchat, you really ought to give it a shot. The discussions are always about smart topics and draw a wide range of commentators—both veterans and newbie writers, editors, agents, and the occasional gibbering weirdo. (I’m looking at you, @chrisrichman.) The tweets ratchet up the Twitter client in a fast and sometimes furious stream, so quick as to be nearly unreadable. Trying to follow the many threads of conversation is like watching three hundred tennis matches held simultaneously on the same court—there’s no way to keep the threads separate, and yet … you try anyway.

Last Tuesday night’s chat was a gem. You can read the transcript here, but the gist of the discussion was this: What qualities make a manuscript middle grade instead of … [more]

TypewriterIn my younger and more vulnerable years, I was given a piece of advice that I’ve been turning over in my mind ever since. (And no, it is not to shamelessly rip off The Great Gatsby‘s opening line; that I do all on my own.) The advice was this: Write a thousand words of your work-in-progress each day. No more, no less. Just a cool grand.

Here’s the why of the advice:

  • A thousand words is a fair bit, to be sure. But it’s not so much that you can’t see the end of your target when you sit down to begin. It’s not so much that you can get lost in those thousand words. It’s not so much that you’ll have to set aside hours and hours of your day that really should

7-habits-of-highly-effective-people-habit-oneSeptember—ah, September! The hot haze of summer has blown away, and along with it our laid-back summer ways. The publishing industry, which has been snoozing away these last few weeks, is back from its vacation, and editors are at their desks and ever-anxious to discover that One. Perfect. Novel.

There’s something so energizing about back to school time. It always makes me think of getting organized, setting new goals, and accomplishing them. And is there a better time than back-to-school to refresh your commitment to your craft, your creativity, and your goals as a writer? I think not.

With that in mind, I’ve cobbled together a list of advice about the act of writing. You’ve heard some of it before, no doubt, but if you try doing just one of the things on this list,  … [more]

Well, Labor Day is past and so we here at the Crow hope you all are settling down to some serious work. We certainly are.

mametAmong the many helps we’ve found during our off time is this memo from the mighty David Mamet—the profane, too-often-too-thinky, shamelessly wordy (and so close to my heart) playwright, director, and essayist. His sage advice keeps us focused, our eyes on the prize and our noses to the grindstone and our shoulders to every cliché within shouting distance.

On the off chance his admonitions might help you, you can find them here. This is a note he sent to the writers of the now-defunct television show The Unit, which, despite its unfortunate name, has at least given us this kick in the ass.

Okay, summer’s over! Now put … [more]


It’s award season and the results are finally in!

No, no, not those awards, which remind us that the people who create children’s books are artists as well as craftspeople.

No, I’m talking about the Bulwer-Lytton Awards for worst opening sentence. It is Edward George Bulwer-Lytton whose 1830 masterpiece Paul Clifford begins:

It was a dark and stormy night; the rain fell in torrents—except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.

In his honor, each year hundreds of writers compete to write similarly overwrought and overextended sentences, and they are always a riot. Mere … [more]